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Bordeaux’s Stéphane Toutoundji’s advice to Long Island merlot producers

Stéphane Toutoundji in the Raphael vineyard, Peconic, NY

Stéphane Toutoundji in the Raphael vineyard, Peconic, NY

Stéphane Toutoundji, a Bordeaux-based consulting oenologist says the Long Island winery owners and winemakers he’s met have plenty of passion, interest in producing high quality wines, a good climate and good land. What they lack, he said, is perfectly ripened grapes at harvest.

“The wineries are pretty good on the technical side. Everything is there,’” he said, “The only problem is the weather around the picking time.” Often, he said, winemakers are harvesting too late.

Long Island winemakers “have to concentrate on the picking in the vineyard,” he said. ”The key is to have very ripe fruit.”

In addition, he said, winemakers  “have many things to do in the cellar and the vineyards.” He recommended changing the way they barrel age, the temperature at which they ferment their wines and the amount of oxygen they allow into their wines.  He said he favors micro-oxygenation, a process widely used in Bordeaux to introduce oxygen into wine a controlled manner.

Toutoundji, who spent three days this past week with members of the Merliance trade group, visited their wineries and laboratories and offered feedback and guidance on viniculture and wine making technique

It was the consultants first visit to the region and the first time he has sampled its wines. On Long Island, he mostly sampled wines from 2007, 2010 and 2012 vintages as well as a few older bottles at a dinner, which he said aged well.

He described Long Island merlots and merlot-based bends as “very traditional wines with a bit of oak.” He noted, “The fruit is not the same [as elsewhere], the wood is well integrated. It’s well balanced.” White wines, he added, also “are pretty good.”

An early student of the famous oenologist, Michel Rolland, Toutoundji has been a partner since 2002 in the Gilles Pauquet Laboratory in Libourne, France, now known as Oenoteam. It currently serves 300 wineries worldwide, including 60 Bordeaux châteaux, some of them Grand Cru Classe, many in St. Emilion and Pomerol, where merlot is the predominant grape.

Toutoundji’s itinerary included Clovis Point (Jamesport), McCall Wines  (Cutchogue), Raphael (Peconic), Sherwood House Vineyards  (Jamesport), T’Jara Vineyards (Mattituck) and Wölffer Estate Vineyard (Sagaponack).

Among his concerns he said is the sandy soil of Long Island vineyards, which allow rain at harvest time to accumulate near the roots of the vines, causing berries to swell. “If you drain the soil, you get rid of a lot of water,” he explained.

Russ McCall, president of Merliance and owner of McCall Wines, said of the consultant’s visit “was an eye opener” and showed the necessity for the region’s winemakers to communicate more with their colleagues around the world. “We’re a bit insolated on Long Island.”

McCall said Toutoundji’s technical guidance was better suited to the winemakers than winery owners.  And the winemakers were happy to have it.

“It’s always great when a consultant comes in,” said Roman Roth, executive vice president of Merliance and winemaker and partner of Wölffer. He said consultants like Toutoundji challenge winemakers about what they have been doing in their wineries.

As for Toutoundji’s views on drainage, Roth said drainage is trendy topic in France and that Bordeaux oenologist and winemaker Jacque Lurton, who consulted with the Merliance members a year ago, offered similar advice.

Roth said while improving drainage in the vineyards is worthwhile because it more flavorful fruit at harvest, it’s a big capital expense and better suited to new plantings.

Nevertheless, Toutoundji was optimistic for Long Island winemakers growing merlot, cabernet franc and petit verdot. “This climate is right to grow Bordeaux cepages. It’s good land to grow wine for sure,” he said. “This area will have a very good future for the wine business.”

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Long Island Wine Council’s Taste of Summer: The good, bad and ugly

Anthony Nappa (left) of Anthony Nappa Wines /The Winemakers Studio pours samples at the Long Island Wine Council’s Taste of Summer event at Old  Bethpage Village Restoration.

Sue and Russell Hearn of Suhru Wines and T’jara Vineyard discuss their wines at Taste of Summer.

Juan Miceli-Martinez of Martha Clara Vineyards (left) and Chris Baiz of The Old Field Vineyards at Long Island Wine Council’s Taste of Summer event.

East met west recently.

Many of Long Island’s East End wineries traveled west on June 2 to the Old Bethpage VillageRestoration in Nassau County to pour their wines for a crowd of 350 imbibers.

Dubbed “A Taste of Summer,” by the Long Island Wine Council, the event brought together 26 of the council’s 43 member wine producers.

Attendees filled the Fairgrounds Building, a restored, air-conditioned, wooden barn-like structure with sweeping ceilings. There they sampled not only wines, but also some of some of Long Island top chef Tom Schaudel’s signature hors d’oeuvres. Yes, there was plenty of tuna tartare.

It was good for the participating wineries, who not only got to pour tastes, but also rang up sales of bottles of the wines they were sampling.

I welcome the opportunity to say hello to the handful of winemakers present, among them Anthony Napa of the Winemakers Studio, Miguel Martin of Palmer Vineyards, Jim Waters of Waters Crest Winery,  Juan Miceli-Martinez of Martha Clara Vineyards; Anthony Sannino of Sannino Bella Vita Vineyard and Russell Hearn of Suhru and T’Jana Vineyards. A few owners were present, too, including Barbara Smithen of Sherwood House Vineyards, Ron Goerler of Jamesport Vineyards, Chris Baiz of The Old Field Vineyard, Hal Ginsburg of Clovis Point Wines, and Theresa  Dilworth of Comtesse Thérèse.

The Good

There were plenty of wines to sample and, in keeping with the theme, there were many summery wines, including several refreshing sauvignon blancs, a somewhat under-appreciated grape, at least in the region. Among these were 2011 bottlings from Waters Crest ($23), Raphael ($22), Martha Clara ($19), Palmer Vineyards ($20) and the slightly smoky Jamesport Vineyards 2010 Reserve ($35), a winery that has long championed the grape and produces a bottling that’s been aged in neutral barrels.

Equally enjoyable were the sparklers offered up by Sparkling Pointe winery: 2007 Brut ($29) and 2009 Topaz Imperial ($37); Wölffer Estate’s bargain -priced ($15) Classic White, a fruity blend of Hamptons chardonnay and Finger Lakes riesling and gewurztraminer, a crisp stainless-steel fermented 2011 Chardonnay from Sherwood House )$18); the full-bodied, complex 2010 Wild Chardonnay ($20) from Roanoke Vineyards, a producer better known for its reds; a soft, fruity steel-fermented 2011 Chardeax (a chardonnay/sauvignon blanc blend)  from Raphael ($24); Peconic Bay Winery’s 2011 Chardonnay ($24), crisp and redolent of green apples, a crisp elegant 2010 Chardonnay from Castello Borghese Vineyards ($18).

Of the roses, the most interesting were from Anthony Nappa Cellars, a tiny producer. These included the deeply colored, dry 2011 Bliss Rose ($14), based on merlot with a touch of cabernet franc, and the slightly pink-tinged Anomaly ($19), a white pinot noir with the essence of cherries and strawberries.

Among the reds I enjoyed: the jammy, soft Peconic Bay Winery 2010 Red Label Lot 3 ($24), a  blend of merlot, cabernet sauvignon and cabernet franc; Pellegrini Vineyards’ big, but nonetheless silky 2005 merlot ($20); Jamesport’s soft and elegant 2007 red blend Jubulant ($45); and,  the very accessible T’Jara 2007 Merlot $24) and  T’Jara’s richer, more complex 2007 Reserve ($30).

The bad

A few dozen older wines also were available for sampling, but only for those who ponied up a few extra bucks for VIP tickets.  To be sure, the regular folks didn’t miss much. Many of these so-called library wines  – at least to me – were disappointing, past their prime and lacking verve. One that I wished I tried, a 1995 Bedell Cellars Reserve Merlot, however, proved popular and was quickly consumed.

And, instead of fresh, newly released wines, some producers poured older vintages. Perhaps they used the occasion to clear out their cellars. For example, I was disappointed that I was unable to sample the recently released Macari Vineyards Early Wine 2011; instead, the winery poured a year-old vintage of a wine that’s made to be consume fresh.

Another beef. Too many second label wines, made with grapes, perhaps,  not good enough to go into the top bottles.

The ugly

Many of the producers at the event had their wines poured by either tasting room staffers, sales reps or volunteer wine ambassadors. Some were often unable to answer questions about the wines, or worse, ignorant. At Baiting Hollow Farm Vineyard’s table, I was poured a rose, so cold that my tongue got frostbite. “It’s supposed to be that way,” a staffer told me after I mentioned the problem. Afraid not. Cold temperatures mask flavors — and flaws. To be fair, temperature control is difficult when wines are chilled in ice-filled tubs. Nevertheless, when I encountered the same problem at another table, a smart pourer I offered me a different warmer sample.

Sadly, a few of the region’s best-known and most-highly regarded wineries including Channing Daughters, McCall Vineyards, Shinn Estate Vineyards, Lenz Winery and Paumanok Vineyards, were noticeably absent.  Some were ineligible to participate, because they were not members. For the others, it was a missed opportunity to reach out to potential new customers. Nevertheless, I relish an opportunity to try them the next time I head East.

 

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